Ski Cross brings excitement, danger to Olympics
This story features all natural sounds, even in the background during the reporter’s narration, which gives it a much more realistic feeling in listening to the blurb about a sport which is getting much attention lately. Melissa Block speaks clearly and with an enthusiastic voice wihch adds to the stories ability to keep the listener engaged. She has a tendancy to narrate a bit too much though, instead of keeping it “short and sweet.”
Texting Underground Can Save Lives And Caves
Leanne Hayes sound much more like an evening newscaster than narrator Brad Horn does from the field. There is again the background sound of being “in a cave” wihch gets across further sound of the story. Alexander Kendrick is well ahead of his age bracket having come up with such a development at the age of sixteen. Brad’s supporting details of what the project entails and oberserver’s perspective of what he sees gives the listener more of a feeling that they are there. The interviews underground are crucial, just knowing where Kendrick and his father are at the time they are giving the details of the texting. Brad closes out with a humorous bit about global warming, which I think gives the story a lighter context.
David sounds like a kid very much in tune with his age bracket. The title of the story is fitting, while the real tornado goes on outside, “tornado” of their highschool years culminates in one night.
The natural sound to this story is amazing, it captures the setting and feeling of the night from the onlookers perspective, and the interviews that go with it through the eyes of highschooler’s perspective. The sound of “Survivor” by Destiny’s Child is an eerie indication of the night that would forever change the small Kansas town in which those kids lived and grew up together. Its interesting to hear the priorities of the kids while their lives are in doubt on the evening. Getting alcohol and drugs, smoking, inability to get out of the prom and hit up whatever evening juvenile delinquency awaited them. Later the interviews with them culminate the saddness they undoubtedly felt wondering what their homes would look like when they returned to their addresses.
Violin version of “Stairway to Heaven” is clutch